TOC
| CHAPTER ONE Getting Started | 1 | |
| Finding a Job | 1 | |
| Working as an Assistant Engineer | 6 | |
| Dealing With... | 11 | |
| CHAPTER TWO Setting Up the Studio | 17 | |
| Before Starting the Setup | 18 | |
| Power in the Studio | 21 | |
| Input Setup Sheets | 24 | |
| Placing Musical Instruments | 28 | |
| Studio Equipment Setup | 35 | |
| CHAPTER THREE Cables, Microphones and Levels | 41 | |
| Levels | 41 | |
| Cables | 47 | |
| Impedance | 50 | |
| Ground | 52 | |
| Microphone Input Panels | 52 | |
| Direct Input Boxes | 54 | |
| Running Cables | 56 | |
| Connections and Placement | 57 | |
| Microphones | 64 | |
| Headphones | 70 | |
| CHAPTER FOUR Digital and Analog Machines | 75 | |
| Digital Audio Workstation | 76 | |
| Digital Open Reel | 80 | |
| Analog Mix Machine | 81 | |
| Alignments | 84 | |
| CHAPTER FIVE Outboard and Speakers | 96 | |
| Outboard Equipment | 96 | |
| Placement and Connection | 98 | |
| Testing Signal Flow | 101 | |
| Studio Tie Lines | 102 | |
| Click Generators | 103 | |
| Video | 104 | |
| Speakers | 104 | |
| Analyzation And Equalization | 109 | |
| CHAPTER SIX Console and Patchbay | 110 | |
| Normals | 111 | |
| The Console | 113 | |
| The Patchbay | 118 | |
| Chasing, Tracing and Replacing | 121 | |
| CHAPTER SEVEN Session Priorities | 125 | |
| Priorities | 125 | |
| Getting Technical | 135 | |
| CHAPTER EIGHT Recording Basic Tracks |
144 | |
| Media Retrieval | 144 | |
| Making Changes | 145 | |
| Changing Microphones | 146 | |
| Changing Cables | 147 | |
| Changing Headphones | 148 | |
| Changing Patches | 149 | |
| Recording Basic Tracks | 151 | |
| Tracksheets | 161 | |
| Takesheets | 161 | |
| Open Reel Labels | 163 | |
| Cues | 166 | |
| CHAPTER NINE After Basic Tracks | 169 | |
| Edits | 170 | |
| Repairs | 172 | |
| Recording Basic Tracks for Another Song | 164 | |
| Instrument Setup Sheets | 173 | |
| Closing the DAW Session | 177 | |
| Recording Basics for Another Song | 179 | |
| Assembling Master Multitrack Reels | 180 | |
| CHAPTER TEN Recording Overdubs | 184 | |
| Finding the Song | 184 | |
| Setting Up the Studio | 186 | |
| Setting Up the Console | 188 | |
| Setting Up a Previous Sound | 192 | |
| Recording | 194 | |
| Bouncing and Comping | 197 | |
| Slave Sessions | 199 | |
| CHAPTER ELEVEN Mixdown | 203 | |
| Final Mixes | 205 | |
| As the Mix Begins | 210 | |
| During the Mix | 214 | |
| Printing the Mix | 214 | |
| Editing the Mix | 219 | |
| Copies | 223 | |
| After the Mix | 225 | |
| Breaking Down the Mix | 233 | |
| Setting up a Remix | 234 | |
| Final Assembly | 235 | |
| Mastering | 236 | |
| CHAPTER TWELVE After the Session | 237 | |
| The Client | 237 | |
| Control Room | 246 | |
| Studio | 247 | |
| Learning, the Old Fashioned Way | 252 | |
| Engineering | 253 | |
